<TD></TD></TABLE>
allotoacpanyhielfuponthelyrethe
poorestofallstringedinstruntsthatwasasfarasany
oneuldgohoutincurringtheriskofpopulardisapproval
theronsontheotherhandhadlovedorchestralsicat
theirdinnersandpartiesandtheyhadinventedstofthe
instruntsodifiedforday
theearlychurchhaddespisedthissicackedtoo
chofthebeendestroyed
afeheentirengregationwere
allthebishopsofthethirdandfourthcenturiesolerate
asthengregationtosingdreadfullyoutofkeyhout
theguidanent,thechurchhadafterwardsallowed
theuseofanorgan,aninventionofthesendcenturyofourera
binationoftheoldpipesofpanand
apairofbellows
thenan
siciansetrafiddlersgoing
froitytocityandplayinginthestreet,andbeggingfor
penniesliketheharpistonadeferryboat
buttherevivalofareioninthecities
ofthelateddleageshadusicians
instruntsliketheho,hhadbeenusedonly
assignalinstruntsforhuntingandfighting,odelled
untiltheyuldreproducesoundshe
danaborungh
horsehairoplaytheoldfashionedguitarandbefore
theendoftheddleagesthissixstringedinstrunt
thestanentsesback
toegyptandassyriahadgroodefour
stringedfiddleradivariusandtheotheritalianviolin
kersoftheeighteenthcenturybroughttotheheightofperfection
andfinallythedepianoostwide
spreadofallsicalinstrunts,aninto
thehejungleandtheicefieldsofgreenland
theorganhadbeenthefirstofallkeyedinstruntsbutthe
perforraleone
hebelloricity
thesiciansthereforelookedforahandierandless
intrainingthepupils
ofthenychurchchoirsduringthegreateleventhcentury,
guido,abenedictinenkofthetohe
birthplaodesystebr >
ofsietiduringthatcentury,when
thereusic,thefirst
instruntust
havesoundedastinklyasoneofthosetinychildrenspianos
everytoyshopinthecityofvienna,
thetousiiddleages
hjugglersandcardsharpshad
fordthefirstseparateguildofsiciansintheyear1288,
thelittlenochordethinghwe
odesteinway
froustriathe``clavichordasithose
daysbecauseithad``cravesorkeystoitalythere
itedintothe``spier
theinventor,giovannispitiofveniceatlastduring
theeighteenthebetween1709and1720,
bartolooadea``clavierhe
perforrtoplaybothloudlyandsoftlyorasitwassaidin
italian,``pianoand``fortethisinstrunthcertain
changesbecaour``pianoforteorpiano
thenforthefirsttithe
instruntasteredinaupleofyears
anddidnotneedtheetealtuningofharpsandfiddlesand
uediaevaltubas,claris,
troonesandoboesjustasthephonographhasgiven
llionsofdepeopletheirfirstloveofsicsodidthe
early``pianoforteuch
epartoftheeducationofeverywell
brednandanprincesandrichrchantsintained
privateorchestrasthesicianceasedtobeawandering
``jongleurandbeunity
siancesof
thetheatreandoutofthispractice,greodeopera
originallyonlyafeheexpenses
ofan``operatroupebutasthetasteforthissortof
entertainntgreanycitiesbuilttheiroheatreswhere
italianandafteranoperasited
joyofthenityhtheexceptionofafew
sectsofverystrictchristiansusich
deepsuspiethingoolovelytobeentirely
goodforthesoul
bytheddleoftheeighteenthcenturythesicallife
ofeuropeeforwarda
npleorganistofthe
thoseofjohannsebastian
ba
ioststatelyofsacred
hysandoratorios,helaidthefoundationforallourde
sicheyear1750heceededby
zart,usicalfabricsofsheerlovelinessh
rendusoflacethathasbeenonyand
rhyththencaludosttragic
ofn,odeorchestra,yetheardnoneof
hisgreatestpositionsbecauseheheresultofa
ldntractedduringhisyearsofpoverty
beethovenlivedthroughtheperiodofthegreatfrench
revolutionfullofhopeforanewandgloriousday,hehad
dediphoniestonapoleonbuthelived
toregretthehourheyear1827,napoleon
enginehadeandhehasoundthat
hadnothinginnsofthethirdsyhony
indeed,theneandironandalandlarge
factorieshadlittleuseforart,forpaintingandsculptureand
poetryandsictheoldprotectorsofthearts,thechurch
andthepriniddleagesandthe
seventeenthandeighteenthcenturiesnolongerexistedthe
leadersofthenerialoobusyandhadtoo
littleeducationtobotheraboutetchingsandsonatasandbits
ofenedthose
things,andnity
... </P></TD>
allotoacpanyhielfuponthelyrethe
poorestofallstringedinstruntsthatwasasfarasany
oneuldgohoutincurringtheriskofpopulardisapproval
theronsontheotherhandhadlovedorchestralsicat
theirdinnersandpartiesandtheyhadinventedstofthe
instruntsodifiedforday
theearlychurchhaddespisedthissicackedtoo
chofthebeendestroyed
afeheentirengregationwere
allthebishopsofthethirdandfourthcenturiesolerate
asthengregationtosingdreadfullyoutofkeyhout
theguidanent,thechurchhadafterwardsallowed
theuseofanorgan,aninventionofthesendcenturyofourera
binationoftheoldpipesofpanand
apairofbellows
thenan
siciansetrafiddlersgoing
froitytocityandplayinginthestreet,andbeggingfor
penniesliketheharpistonadeferryboat
buttherevivalofareioninthecities
ofthelateddleageshadusicians
instruntsliketheho,hhadbeenusedonly
assignalinstruntsforhuntingandfighting,odelled
untiltheyuldreproducesoundshe
danaborungh
horsehairoplaytheoldfashionedguitarandbefore
theendoftheddleagesthissixstringedinstrunt
thestanentsesback
toegyptandassyriahadgroodefour
stringedfiddleradivariusandtheotheritalianviolin
kersoftheeighteenthcenturybroughttotheheightofperfection
andfinallythedepianoostwide
spreadofallsicalinstrunts,aninto
thehejungleandtheicefieldsofgreenland
theorganhadbeenthefirstofallkeyedinstruntsbutthe
perforraleone
hebelloricity
thesiciansthereforelookedforahandierandless
intrainingthepupils
ofthenychurchchoirsduringthegreateleventhcentury,
guido,abenedictinenkofthetohe
birthplaodesystebr >
ofsietiduringthatcentury,when
thereusic,thefirst
instruntust
havesoundedastinklyasoneofthosetinychildrenspianos
everytoyshopinthecityofvienna,
thetousiiddleages
hjugglersandcardsharpshad
fordthefirstseparateguildofsiciansintheyear1288,
thelittlenochordethinghwe
odesteinway
froustriathe``clavichordasithose
daysbecauseithad``cravesorkeystoitalythere
itedintothe``spier
theinventor,giovannispitiofveniceatlastduring
theeighteenthebetween1709and1720,
bartolooadea``clavierhe
perforrtoplaybothloudlyandsoftlyorasitwassaidin
italian,``pianoand``fortethisinstrunthcertain
changesbecaour``pianoforteorpiano
thenforthefirsttithe
instruntasteredinaupleofyears
anddidnotneedtheetealtuningofharpsandfiddlesand
uediaevaltubas,claris,
troonesandoboesjustasthephonographhasgiven
llionsofdepeopletheirfirstloveofsicsodidthe
early``pianoforteuch
epartoftheeducationofeverywell
brednandanprincesandrichrchantsintained
privateorchestrasthesicianceasedtobeawandering
``jongleurandbeunity
siancesof
thetheatreandoutofthispractice,greodeopera
originallyonlyafeheexpenses
ofan``operatroupebutasthetasteforthissortof
entertainntgreanycitiesbuilttheiroheatreswhere
italianandafteranoperasited
joyofthenityhtheexceptionofafew
sectsofverystrictchristiansusich
deepsuspiethingoolovelytobeentirely
goodforthesoul
bytheddleoftheeighteenthcenturythesicallife
ofeuropeeforwarda
npleorganistofthe
thoseofjohannsebastian
ba
ioststatelyofsacred
hysandoratorios,helaidthefoundationforallourde
sicheyear1750heceededby
zart,usicalfabricsofsheerlovelinessh
rendusoflacethathasbeenonyand
rhyththencaludosttragic
ofn,odeorchestra,yetheardnoneof
hisgreatestpositionsbecauseheheresultofa
ldntractedduringhisyearsofpoverty
beethovenlivedthroughtheperiodofthegreatfrench
revolutionfullofhopeforanewandgloriousday,hehad
dediphoniestonapoleonbuthelived
toregretthehourheyear1827,napoleon
enginehadeandhehasoundthat
hadnothinginnsofthethirdsyhony
indeed,theneandironandalandlarge
factorieshadlittleuseforart,forpaintingandsculptureand
poetryandsictheoldprotectorsofthearts,thechurch
andthepriniddleagesandthe
seventeenthandeighteenthcenturiesnolongerexistedthe
leadersofthenerialoobusyandhadtoo
littleeducationtobotheraboutetchingsandsonatasandbits
ofenedthose
things,andnity
... </P></TD>